The Name Game Pro Tip:
  1. Didja accidentally blow through the whole, "We're using our real names" thing on registration? No problem, just send me (Mike) a Conversation message and I'll get you sorted, by which I mean hammered-into-obedient-line because I'm SO about having a lot of individuality-destroying, oppressive shit all over my forum.
    Dismiss Notice
  2. You're only as good as the harshest criticism you're willing to hear.
    Dismiss Notice

Search Results

Search Again
Page 6 of 6
  1. Paul Poole
    Post

    Elfman Violin Concerto

    I listened to about five minutes. I'll withhold comment on the music itself. As for the recording, I don't like the way it is produced. Over-slick...
    Post by: Paul Poole, Apr 5, 2020 in forum: The RedBanned Bar & Grill
  2. Paul Poole
    Post

    Good vs. Bad - Orchestration

    Indeed on all counts. To the last, there are just three legitimate dynamic levels: loud, louder and loudest, notated as fortississississimo,...
    Post by: Paul Poole, Apr 5, 2020 in forum: Tips, Tricks & Talk
  3. Paul Poole
    Post

    Showcase your work here

    That was my method before making the switch to Sibelius. The first scan is from when I was doing a reduction of the second build of Also...
    Post by: Paul Poole, Apr 4, 2020 in forum: Notation
  4. Paul Poole
    Post

    Good vs. Bad - Orchestration

    I don't guess this thread is too dusty for me to comment, and I'm bored. Violinists don't stop notes like you're doing in the picture, but with...
    Post by: Paul Poole, Apr 4, 2020 in forum: Tips, Tricks & Talk
  5. Paul Poole
    Post

    Determining Copyright vs. Public Domain Status of a Piece

    Thank you much. Will check those links out. (I don't know why I forgot about Wikipedia. My brain is lazy today.) I'm very vague on the details,...
    Post by: Paul Poole, Apr 4, 2020 in forum: Tips, Tricks & Talk
  6. Paul Poole
    Post

    Brass Mutes

    Nice list. A few added points: –Bell-insertion mutes make the instrument speak a bit more slowly. –There's a difference in tone between a fiber...
    Post by: Paul Poole, Apr 3, 2020 in forum: Tips, Tricks & Talk
  7. Paul Poole
    Thread

    Determining Copyright vs. Public Domain Status of a Piece

    What is the most reliable way of determining the status of a piece of music with respect to whether it is or is not in the public domain. I...
    Thread by: Paul Poole, Apr 3, 2020, 2 replies, in forum: Tips, Tricks & Talk
  8. Paul Poole
    Post

    Showcase your work here

    Good work. I still think handwritten notation should be taught to some extent since it makes you more aware of a lot of things you're gonna not...
    Post by: Paul Poole, Apr 3, 2020 in forum: Notation
  9. Paul Poole
    Post

    Showcase your work here

    Doug Gibson: Thanks.
    Post by: Paul Poole, Apr 3, 2020 in forum: Notation
  10. Paul Poole
    Post

    Musical scores and parts

    I think self-publishing is the way to go. In the past I was sent contracts by two different publishers, and the terms were an insult. It's a new...
    Post by: Paul Poole, Apr 3, 2020 in forum: Notation
  11. Paul Poole
    Post

    21st Century Part Writing (Ebook with Audio Examples)

    My view is that there is no such thing as: Here is how you write a part. Or lead a voice. It's more one of: Here is one voice leading framework....
    Post by: Paul Poole, Apr 3, 2020 in forum: Score Study Resources
  12. Paul Poole
    Post

    One Composition a Day Until We're All Dead

    I won't have the energy to do one a day, but as long as I'm stuck in a lame reboot of Robert Wise's The Day the Earth Stood Still, I might compose...
    Post by: Paul Poole, Apr 3, 2020 in forum: Tips, Tricks & Talk
  13. Paul Poole
    Post

    Showcase your work here

    Looks like an interesting piece. Is there a recording of it somewhere? To the notation: I like the overall look and neatness of the score. I...
    Post by: Paul Poole, Apr 3, 2020 in forum: Notation
Find older messages
Showing results 101 to 113 of 113
Search Again
Page 6 of 6